The Secret Gospel of Mark: The Journal for the Western Cosmological Traditions, volume 3pp.
I see you are confused about what constitutes cultural appropriation. I would like to provide you with resources and information on the subject so that you can better understand what our concerns are.
However, I also want observer fringe writing a letter to have a brief summary of some of the more salient points so that you do not assume you are merely being called a racist, and so that I do not become frustrated with your defensive refusal to discuss the topic on those grounds.
If any of those have started whirling through your head, please lock them in a box while you read this article. They tend to interfere with the ability to have a respectful conversation. Examples from Canada and the United States would be: These items cannot be legitimately possessed or imitated by just anyone, as they represent achievements earned according to a specific criteria.
Yes, some people will mock these symbols. However in order to do this, they have to understand what the symbols represent, and then purposefully desecrate or alter them in order to make a statement.
They cannot then claim to be honouring the symbol. Some people will pretend to have earned these symbols, but there can be serious sanctions within a culture for doing this. Flags, most clothing, food etc. Accessing these things does not signal that you have reached some special achievement, and you are generally free to use these.
If you do not use these items to mock, denigrate or perpetuate stereotypes about other people, then you can legitimately claim to be honouring those items. In particular, the headdress worn by most non-natives imitate those worn by various Plains nations. These headdresses are further restricted within the cultures to men who have done certain things to earn them.
It is very rare for women in Plains cultures to wear these headdresses, and their ability to do so is again quite restricted. So unless you are a native male from a Plains nation who has earned a headdress, or you have been given permission to wear one sort of like being presented with an honorary degreethen you will have a very difficult time making a case for how wearing one is anything other than disrespectful, now that you know these things.
If you choose to be disrespectful, please do not be surprised when people are offended… regardless of why you think you are entitled to do this.
It is okay to admire our cultures. However I think it is reasonable to ask that if you admire a culture, you learn more about it.
Particularly when the details are so much more fascinating than say, out-dated stereotypes of Pan-Indian culture. You do not have to be an expert on our cultures to access aspects of them.
If you really, really want to wear beaded moccasins or mukluks or buy beautiful native art, then please do! There are legitimate and unrestricted items crafted and sold by aboriginal peoples that we would be more than happy to see you with.
Then all the nasty disrespectful stereotyping and denigration of restricted symbols can be avoided, while still allowing you to be decked out in beautiful native-created fashion.
If you are an artist who just loves working with aboriginal images, then please try to ensure your work is authentic and does not incorporate restricted symbols or perpetuate stereotypes.
For example, painting a non-native woman in a Plains culture warbonnet is just as disrespectful as wearing one of these headdresses in real life. Acknowledging from which specific nation the images you are using come from is even better.
Maybe you had no idea about any of this stuff. A simple acknowledgement of the situation is pure gold, in my opinion. It diffuses tension and makes people feel that they have been heard, respected, and understood. The fact is, this issue does get people very upset.
My hope is that once you cool down, you will accept that you are not being asked to do something unreasonable.Anna Davis Anna is the founder and Director of the Curtis Brown Creative writing school.
She is the author of five novels, published around the world in 20 languages: Melting, The Dinner, Cheet, The Shoe Queen and The Jewel Box.. She has worked for Curtis Brown for more than a decade as a book agent and has served on the management committee of the Association of Authors' Agents.
Downloadable Instructions and Form Files PHS Instructions - 1/ Revision PDF ( KB) PHS Fillable Forms - 1/ Revision. The links below allow for the downloading of individual and combined form files in MS Word and PDF formats.
🔥Citing and more! Add citations directly into your paper, Check for unintentional plagiarism and check for writing mistakes.
Anna Davis Anna is the founder and Director of the Curtis Brown Creative writing school. She is the author of five novels, published around the world in 20 languages: Melting, The Dinner, Cheet, The Shoe Queen and The Jewel Box..
She has worked for Curtis Brown for more than a decade as a book agent and has served on the management .
The Secret Gospel of Mark: Commentary on Recent Scholarship. Part of a library of materials dealing with Gnosis and Gnosticism, both ancient and modern.
The site includes the Gnostic Library, with the complete Nag Hammadi Library and a large collection of other primary Gnostic scriptures and documents.
The Secret Gospel of Mark: Commentary on Recent Scholarship. Part of a library of materials dealing with Gnosis and Gnosticism, both ancient and modern. The site includes the Gnostic Library, with the complete Nag Hammadi Library and a large collection of other primary Gnostic scriptures and documents.